AMPU issues 1 through 7 were drawn by Michael DiPascale. DiPascale had done quite a bit artwork for Avatar Press, including drawing Absolution, God Is Dead, and lots of covers from Providence Weird Pulp variants to various Uber and Crossed covers. In September 2016, DiPascale posted that he had “severed all ties” with Avatar Press.
The production crew has basic annotations up for all the stories in Cinema Purgatorio #14. The latest issue features Blue Skies, General Custer, a terraformer, Tod Browning and plenty more, including some minor errors we’ve noted at the nitpicks page.
Get all your favorite annotations via the encyclopedic Annotations Index page. Help us fill in more details by adding your comments.
The most important location associated with the Black Dahlia (one where several people have visited and postedaccountsonline – there are even tours that visit it) is the site where Elizabeth Short’s body was discovered. In January 1947, Betty Bersinger discovered Short’s mutilated corpse in a vacant lot. Today that lot is a neighborhood of modest single-family homes. The neighborhood is called Leimert Park, historically and still today a community where many African-Americans live.
The site is often described, including by Moore, as “39th and Norton.” (That’s even the title of a chilling Dahlia comics story published in Taboo #5 in 1991 – alongside Moore’s From Hell and Lost Girls.) That’s the closest intersection, but the site is actually mid-block on Norton Avenue between 39th Street and Coliseum Street. Today the address is 3825 Norton Avenue. Continue reading →
I live in central Los Angeles, not far from Hollywood. By this I mean the neighborhood Hollywood, which, down from the tony Hollywood Hills, is mostly not so glamorous. A few people I know are involved in “the industry” – the Hollywood film industry – though I can’t claim any ties to it.
It has been interesting reading Moore and O’Neill’s stories in Purgatorio, in part because they take place in the city where I live. A lot of Moore’s work – especially Jerusalem, Voice of the Fire, “Coal Memory“, Providence, and From Hell – is thematically rooted in a sense of place. He melds people, physical places, stories, histories, etc. to get at what makes a place tick. In doing so he explores universal truths, expressed in smaller microcosms.
More than any other Moore work, Purgatorio is Moore telling stories about my place.
In this spirit, last weekend, I set out to check out some of the places Moore introduced me to in his Thelma Todd tale: Thelma Todd’s Sidewalk Cafe and the nearby home of director Roland West, where Todd was found dead. Continue reading →